Friday 18 January 2019

X-Factor 50 - Acts of Vengeance

A simple glance at the cover shows the struggling demands, with banners for both "Acts of Vengeance" and the conclusion of "Judgement War" trying to fit into the top right-hand corner. Being a double-sized anniversary issue the prospect of having to give it over to a line-wide crossover must have irked even more than most. And so this issue is divided into two stories covering the two demands.

X-Factor #50

Writer: Louise Simonson (all)
Penciler: Rich Buckler (main)
Penciler: Terry Shoemaker (back-up)
Inker: Allen Milgom (main)
Inker: Hilary Barta (back-up)
Letterer: Joe Rosen (main)
Letterer: Michael Heisler (back-up)
Colourist: Tom Vincent (all)
Editor: Bob Harras
Editor-in-Chief: Tom DeFalco

The lead story sees the conclusion of X-Factor's adventures on an alien world full of mutants as they seek to free themselves before the Celestials destroy the planet, eventually coming to unite the planet's different factions. The story is very much a metaphor for the team's aims on Earth as they inspire others to rise up and work together. It's also the conclusion of some long running threads in the series, in particular Marvel Girl struggling from having absorbed the personality and memories of Madelyne Pryor and in turn Phoenix. This is one of the least explained elements so for new readers dipping in it becomes a confusing struggle. It seems clear that this story was written under the assumption that issue #49 would also carry an "Acts of Vengeance" banner and thus that issue would serve as the introduction for readers arriving via the crossover, whereas here everything gets on with the action. Read in isolation this tale offers classic new reader confusion.

The back-up story is a six-page piece "Meanwhile on Earth" as Apocalypse confronts the mysterious strange who soon reveals himself as Loki. This issue officially came out the same day as Thor #413 and so in theory this would not have broken the secret. However big crossovers have a frustrating habit of shipping out of order, made worse by the higher demand sometimes making it harder to find regular issues. And there's nothing in either of the two issues explicitly stating which way round they should be read. (It's a problem repeated by some of the attempts to create a general Marvel chronology that have found the off-Earth epics in both X-Factor and New Mutants to be significant problems for the chronologies of both "Acts of Vengeance" and "Atlantis Attacks" in the 1989 annuals and wind up having to put this issue right near the start.) It's also a surprise that Loki so willingly reveals his identity, shocked that Apocalypse hasn't worked it out. Notably Loki is depicted here in the costume introduced by Simonson's husband Walter during his run on Thor, whereas the main chapters of the crossover opt for his classic Silver Age look, again emphasising the disjointed nature of the story. Both this and the revelation feel like more failures of co-ordination and communication. The rest of the story is predominantly a fight in both physical and verbal form as Loki and Apocalypse trade blows and arguments about why the "Acts of Vengeance" are failing, the nature of humans and of being worshipped, until Caliban intervenes and then Apocalypse demonstrates the Celestial technology under his control. Loki some storms off in a huff.

Overall this issue is trying its best with demands that are clearly irritating the writer. It may not do a good job at explaining the ongoing storyline to new readers drawn in by the crossover banner, but given how well the previous issue did that one must assume that it was meant to have the banner as well. And although the "Acts of Vengeance" demands clearly irritate Simonson to the point of having the book's lead villain drive Loki out of the issue, it's done in a reasonably solid way. But given when this issue was published it was a very dubious idea to use Loki's real identity as it could have wound up as a spoiler. Overall this back-up is an okay little sideshow, but the lead story isn't really of interest on its own.

X-Factor #50 has been reprinted in:

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