Showing posts with label Andy Mushynsky. Show all posts
Showing posts with label Andy Mushynsky. Show all posts

Friday, 25 January 2019

Amazing Spider-Man 329 - Acts of Vengeance

It seems slightly surprising that the story of Spider-Man's cosmic powers has just run over the end of "Acts of Vengeance", especially as this arc has had a few too many chapters. It would have made more sense to follow the structure of "Inferno" and limit the main multi-part storyline to a handful of issues with others doing their own thing on the side, rather than padding things out so much and then needing an extra issue.

Amazing Spider-Man #329

Writer: David Michelinie
Penciler: Erik Larsen
Inker: Andy Mushynsky
Letterer: Rick Parker
Colourist: Bob Sharen
Editor: Jim Salicrup
Editor-in-Chief: Tom DeFalco

Still this final part does a lot to wrap things up, including a climax on the power stakes. Both Graviton and Sebastian Shaw are continuing to pursue Spider-Man, but the former is put off with a single blast. The latter is more cunning, opting to investigate just how Spider-Man got his powers and locating the scientist who was doing energy experiments at the time. From a modern perspective it's surprising that Shaw is able to blackmail Dr Lubisch by threatening to reveal to the board of Empire State University the details of how Lubisch was sacked from Heidelberg after performing a "rather unorthodox experiment". It seems strange that basic background checks were not performed, especially as by 1989 communication was already sufficiently advanced that universities would be able to contact one another quickly. Still it works that Shaw would turn to the same scientist to produce an "energy negator" to try to cancel out Spider-Man's powers - and that it instead cancels the block in the original transfer that led to Spider-Man acquiring them only slowly.

For Spider-Man has the powers of Captain Universe and now adopts the traditional look, albeit with a red webbed mouth mask. The Enigma force has detected great danger to humanity and empowered Spider-Man to defeat it, though why the powers to him so early is unclear, though Lubisch's experiments are the cause of the delay in fully adoption. One could also wonder if the danger was just the Tri-Sentinel (as Spider-Man's newfound cosmic awareness implies) or the "Acts of Vengeance" as a whole. The robotic menace turns out to be an after-effect of the Acts as Loki, looking rather freer than he was at the end of the final battle, opts to make a final mark on Earth by merging three prototype new Sentinels together. Given the steady step up in power levels of the foes encountered through this arc, a super robot enhanced by the magic of a deity makes sense as the ultimate threat level. And the Tri-Sentinel also evokes one of the classic Silver Age images, Spider-Man with six arms which was the very final panel of Stan Lee's original hundred issue run.

Three is a recurring theme in the issue, with the opening scene introducing the Sentinels set three days ago, Shaw blackmailing Lubisch three hours ago and Loki working his magic three minutes ago. The merged Tri-Sentinel has three faces, making it impossible to sneak up on, though Loki doesn't seem to have thought to reverse one set of arms for fighting in both directions. There's also a fusion to the logic circuits, so Shaw is unable to trigger a failsafe that would make the Sentinel turn in on itself. Instead it's down to Spider-Man to finish the task he received the powers for. Then the power departs, leaving Peter wondering if he could have done more with it to improve the world, a thought that we'll come back to.

At first glance, cosmic powers and Spider-Man are not a natural combination. But this storyline has taken the core philosophical line of the character - "with great power there must also come -- great responsibility" - and asked what happens when greatER power comes? As a one-off event it's been an excellent way to explore the character. The storyline may have had a few too many issues but the finale works in providing a clear explanation for the situation, delivering an ultimate threat and handling the foes who weren't previously captured. The art effectively captures Spider-Man's moves and the sheer scale of the Tri-Sentinel, making for a strong finish.

Amazing Spider-Man #329 has been reprinted in:

Monday, 3 September 2018

Amazing Spider-Man 326 - Acts of Vengeance

The main appeal of "Acts of Vengeance" is that it pitches heroes against villains they've never fought before. But in some cases that may be a little difficult to arrange. At this point Spider-Man had had three ongoing titles for over a decade, as well as many more guest appearances. And that presents a strong challenge to the writers to find qualifying villains.

Amazing Spider-Man #326

Writer: David Michelinie
Penciler: Colleen Doran
Inker: Andy Mushynsky
Letterer: Rick Parker
Colourist: Bob Sharen
Editor: Jim Salicrup
Editor-in-Chief: Tom DeFalco

As we'll see, this is from a slight period of flux on the art side of the title, with Todd McFarlane leaving and Erik Larsen coming in but it's not a clean-cut changeover with no two consecutive issues between #323 & #329 handled by the same penciller as Larsen steadily takes over from McFarlane, with this issue drawn by a filling-in Colleen Doran.

This issue comes early in Spider-Man's marriage to Mary Jane, a subject that has consumed great debate over the years and led to many deeply controversial stories as writers tried to undo it. So it's of particular notice here that the Spider-writers of the late 1980s had solved the "problem" of Mary Jane being a high-flying supermodel by getting her effectively blacklisted in the industry due to a vendetta by an obsessive stalker. Instead this issue sees her securing a job as an actress in a soap opera and also her and Peter's flat warming party in the loft of Harry Osborn's building. It's a way of bringing her down to earth and making the marriage more equal, something that writers in other periods often forgot.

Otherwise this issue sees Graviton seeking to battle Spider-Man at the behest of the Kingpin. We've yet to see the central scheme in action, but already the heroes are being targeted. At this point Graviton has mainly appeared in the Avengers titles, with a few side appearances in the likes of Fantastic Four and Thor, so he's a genuinely unknown quantity for dealing with Spider-Man. Even Graviton is surprised at the idea that the Kingpin will sort out revenge on the Avengers in trade for this, but given Spider-Man's ingenuity it's perhaps natural to deploy such a powerful foe. More surprising is that the Kingpin has realised that targeting the Daily Bugle building is an easy way to draw out Spider-Man, suggesting he might want to work on shoring up his secret identity. But the result is Graviton attacks the building and then rapidly defeats Spider-Man, leaving him in a pile of rubble.

It's a straightforward tale that shows how the overall idea of Acts of Vengeance can potentially work, at least against the less powerful foes and also how the crossover can easily fit in a title's ongoing subplots so long as they're reasonably explained.

Amazing Spider-Man #326 has been reprinted in: