Quasar 7 - Acts of Vengeance

There's a handful of issues that don't have an "Acts of Vengeance" banner that nevertheless form part of the crossover. One such is Quasar #7 in which the cosmic Avenger encounters the cosmic powered Spider-Man. The two have met before, back in the days of Marvel Team-Up before Quasar went off into space for years, but we now get Spider-Man's only interaction with any other hero whilst he has his powers (the Hulk of this era doesn't count). It's reasonably self-contained, which is probably why it's been left out of all the Spider-Man based collections of the cosmic storyline.

Quasar #7

Writer: Mark Guenwald
Penciler: Mike Manley
Inker: Danny Bulanadi
Letterer: Janice Chiang
Colourist: Paul Becton
Editor: Howard Mackie
Editor-in-Chief: Tom DeFalco

In spite of the lack of a crossover banner, we get a foe that neither have fought before, Terminus, the alien destroyer of worlds. There's no link to the alliance of leading super-villains, just a menace that has resurfaced from where it was trapped and setting out to devastate the Earth. Earlier we get the almost obligatory fight between super-heroes when Quasar investigates Spider-Man as part of a mission to check all aliens on Earth in order to find the one predicted to kill his mentor Eon. Spider-Man has no time for this and lashes out, firmly explaining he doesn't need help to find out what's going on.

But despite this, Spidey responds to a call for help later on when Quasar discovers Terminus coming close to attacking New York and quickly realises he can't deal with the menace on his own. Thor is unavailable and the offered Captain America would be no use, but Spidey's strength comes in handy. Spider-Man has his doubts, but Quasar knows what buttons to press by pointing out the webslinger claims to now be the strongest man on Earth and has friends and family in the city.

Given the scale of the menace that Terminus threatens, it's a rather quick dispatch and suggests the primary purpose of the story is to move the planet wrecker into a particular position in preparation for a forthcoming larger story. As a result this story is quick and inessential.

Quasar #7 has been reprinted in:

• Acts of Vengeance Omnibus (2011)
• Quasar Classic Volume 1 (2012)

Quasar 6 - Acts of Vengeance

Although not quite the newest hero around, Quasar's low profile and restricted field of operations before he got his own series means that he hasn't attracted much attention so far. At times he seems to be the only Avenger free to deal with menaces, whether the attack on Avengers Island or here. Being relatively inexperienced (though not unskilled - he's had Shield training), it also means that most villains will not have encountered him, thus it should be easy to find foes for him

Quasar #6

Story: Mark Guenwald
Pencils: Paul Ryan
Inks: Danny Bulanadi
Letters: Janice Chiang
Colours: Paul Becton
Editor: Howard Mackie
Editor-in-Chief: Tom DeFalco

So it's a surprise that one of the four he encounters in this issue is Klaw the Master of Sound who he has clashed with before in his days as head of security at Project Pegasus, which even gets referenced. However this is partially explained away as he's the only Avenger available to go and round up escapees from the Vault as they show up, rather than any of the leaders of the alliance explicitly assigning them to deal with him. Klaw ultimately only appears over three pages and drops out of the action (literally) when another foe shows up. But even this is not the quickest with Venom, prominently advertised on the cover, taken out in just the first two pages. It can be easy to forget just how quickly Venom took off, having debuted less than two years earlier (and his appearance hasn't yet been refined by Erik Larsen), and this appears to be his first appearance outside the Spider-Man titles. A glance at the cover and issue suggests that the marketing department wanted Venom prominently highlighted on the cover, hence the addition to the cover, but both Mark Gruenwald and editorial didn't care much for him, hence the rapid dismissal.

The main action comes when the Living Laser shows up to free Klaw, only to find his energy tapped by Quasar, causing him to flee and end up on the Moon. There in the Blue Area they find the home of the Watcher before Quasar finds he's disturbed a burglary by the Red Ghost. It's good to see a mixture of foes and even a cosmic entity in the series, but the bitty nature of it suggests a plot rushed together that kept on having to add foes as there's nothing really linking Venom, the Living Laser and the Red Ghost beyond encountering Quasar. None of them appear to be part of the broader operation and the Red Ghost isn't even an escapee from the Vault. Instead we just get a random set of foes in the course of Quasar's adventure as though the series is having to mark time.

As a result this is a rather disappointing chapter in the saga. This is a pity as the series is being pushed as one of the core titles due to Quasar's involvement in the Avengers (hence its presence in the main Omnibus rather than the Crossovers), but it's a reminder that large crossovers can often demand more issues of a title than there are things to do.

Quasar #6 has been reprinted in:

• Acts of Vengeance Omnibus (2011)
• Quasar Classic Volume 1 (2012)
• Spider-Man Vs. Venom Omnibus (2018)

Quasar 5 - Acts of Vengeance

If there's one hero more than any other for whom it would have been easy to find foes he hasn't fought before it must surely have been Quasar. Relatively little used in his first few years before disappearing into the limbo of outer space for another five or so, his series had only going a few months when "Acts of Vengeance" came along.

Quasar #5

Story: Mark Guenwald
Pencils: Paul Ryan
Inks: Danny Bulanadi
Letters: Janice Chiang
Colours: Paul Becton
Editor: Howard Mackie
Editor-in-Chief: Tom DeFalco

Such is his newness to the scene that despite being a member of the Avengers he still has to explain who he is to security guards as he goes. He's also still working out how to juggle the various aspects of his life, including getting his day job business off the ground. This series was quite a personal project of writer Mark Gruenwald and the care and attention they give shows.

The first half of the issue concentrates on Quasar's Avengers activities as he works with Stingray on salvaging equipment from the sunken Avengers Island, followed by the joys of civilian life. Meanwhile the mysterious stranger at the heart of the conspiracy recruits the Absorbing Man to the scheme and gives him the power to fly by hurling his ball and chain. It's curious to see this task handled by the stranger when up to now he's largely focused on bringing the six lead villains together, but it's noticeable that he both has the power to upgrade the Absorbing Man's abilities and also knows where to find him when the latter has pulled himself from the muck in a lake. The Absorbing Man is one of the most flexible foes in the entire Marvel universe because his ability to take on the properties of whatever substance he touches means that he can reach whatever power level is necessary to provide a serious challenge. Here that becomes especially so as he absorbs the properties of variously a piece of adamantium, Quasar's energy constructs and then the quantum bands.

Quasar is competent but lacking knowledge and experience of his foe, making for quite a classic encounter in the event since the lack of knowledge proves critical. Consequently he inadvertently screws up in allowing the Absorbing Man access to critical power and then has to watch in horror as his foe absorbs a potentially explosive power then heads towards a city, resulting in a critical dilemma for Quasar as he has to work hard to stop a major explosion in a populated area. It's a tough call for him, though in the aftermath Captain America relieves some of the guilt by providing some critical knowledge that suggests things didn't quite go as Quasar thought.

This is pretty much the quintessential first issue of a title's contribution to a big crossover. It introduces the hero and his world in a way that's easily accessible for new readers without becoming a drag, takes the basic premise of the crossover and applies it to logical characters, then gives us a strong confrontation. Often crossover issues forget that they're also serving as a sampler for the series, but this one instead rises to the challenge.

Quasar #5 has been reprinted in:

• Acts of Vengeance Omnibus (2011)
• Quasar Classic Volume 1 (2012)