And so we come to "The Final Act!" as Damage Control's second limited series comes to a conclusion, with this issue featuring a prominent guest star in Nick Fury, Agent of Shield. Fury's own series was up and running at this time but notably didn't take part in the crossover, with a change of writer around this time possibly the explanation. But instead Fury and his fellow agents get used here in a showdown for the corporate wranglings that have crippled the special repair business.
Damage Control (volume 2) #4
Writer: Dwayne McDuffie
Penciler: Ernie Colon
Inkers: Stan Drake & Marie Severin
Letterer: Rick Parker
Colour: George Roussos
Editor: Sid Jacobson
Big Guy you don't wanna mess with: Tom DeFalco
The issue is surprisingly predictive in its revelation that Damage Control is being run into the ground by its now owner, who "is willing to gut the whole company to raise cash". Damage Control may at times allow for subtle digs at the distinguished competition, but this target would ultimately prove closer to home given the convoluted corporate manoeuvres in the 1990s that ultimately left Marvel as a whole filing for bankruptcy. Fortunately for anyone without a business education the story presents the financial situation in a sufficiently simple form to understand how the owner wound up owing the Kingpin a lot of money and had to resort to bleeding the company to death.
Elsewhere the workers are still on strike but are talked into helping stabilise a building whilst a rescue operation is carried out, reflecting the very real dilemmas often faced by striking firefighters. Placards with slogans such as "DC is grossly unfair" and "DC stinks" are surprising in that Marvel could print these and get away with them (and not have to modify the artwork for later reprints). It's not clear who exactly is responsible for them, but a glance at the credit lists for the creative shows that only some of them went on to do much work for DC comics. Perhaps the scene at the end when the Damage Control building, with a prominent "DC" marked out on the roof, is sold to a comic company who "made a great deal of extra money this summer from a movie" helped placate feelings. Meanwhile over in another DC, Anne Hoag ensures that Commission on Superhuman Activities doesn't deliver a unanimous report in favour of registration.
Steadily the management rebuild relationships and reputations, helped by Fury, and Shield leads a takeover bid. Here comes perhaps the most dated joke as a subordinate Shield agent produces a briefing on computer that will take three hours to deliver, until Fury demands a one-word recommendation on whether to buy. This predated the arrival of Power Point and the computers of the era were not the best things for presentations. Robin Chapel faces down the Kingpin to make it clear he's no more influence in the firm, something he just doesn't mind as the "Acts of Vengeance" have proved quite profitable. Finally we learn that Damage Control has now completed the clean-up after the Acts.
This is a bit of a rush around issue aiming to tie up all the threads raised by the earlier ones and wisely sets itself at the end of the crossover to allow for a clear conclusion. Still it provides a good comedic take on corporate rescue packages and company chaos and gets extra credit for doing this long before Marvel faced its own problems. This is a fun little epilogue.
Damage Control (volume 2) #3 has been reprinted in:
Damage Control (volume 2) #4
Writer: Dwayne McDuffie
Penciler: Ernie Colon
Inkers: Stan Drake & Marie Severin
Letterer: Rick Parker
Colour: George Roussos
Editor: Sid Jacobson
Big Guy you don't wanna mess with: Tom DeFalco
Elsewhere the workers are still on strike but are talked into helping stabilise a building whilst a rescue operation is carried out, reflecting the very real dilemmas often faced by striking firefighters. Placards with slogans such as "DC is grossly unfair" and "DC stinks" are surprising in that Marvel could print these and get away with them (and not have to modify the artwork for later reprints). It's not clear who exactly is responsible for them, but a glance at the credit lists for the creative shows that only some of them went on to do much work for DC comics. Perhaps the scene at the end when the Damage Control building, with a prominent "DC" marked out on the roof, is sold to a comic company who "made a great deal of extra money this summer from a movie" helped placate feelings. Meanwhile over in another DC, Anne Hoag ensures that Commission on Superhuman Activities doesn't deliver a unanimous report in favour of registration.
Steadily the management rebuild relationships and reputations, helped by Fury, and Shield leads a takeover bid. Here comes perhaps the most dated joke as a subordinate Shield agent produces a briefing on computer that will take three hours to deliver, until Fury demands a one-word recommendation on whether to buy. This predated the arrival of Power Point and the computers of the era were not the best things for presentations. Robin Chapel faces down the Kingpin to make it clear he's no more influence in the firm, something he just doesn't mind as the "Acts of Vengeance" have proved quite profitable. Finally we learn that Damage Control has now completed the clean-up after the Acts.
This is a bit of a rush around issue aiming to tie up all the threads raised by the earlier ones and wisely sets itself at the end of the crossover to allow for a clear conclusion. Still it provides a good comedic take on corporate rescue packages and company chaos and gets extra credit for doing this long before Marvel faced its own problems. This is a fun little epilogue.
Damage Control (volume 2) #3 has been reprinted in:
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