Tuesday 5 October 2021

Uncanny X-Men 233 - Inferno Prologue

The X-Men battle the Brood whilst Madelyne Pryor gets deconstructed...

Uncanny X-Men #233

Writer: Chris Claremont
Penciler: Marc Silvestri
Inker: Dan Green
Colorist: Glynis Oliver
Letterer: Tom Orzechowski
Editors: Bob Harras
Editor-in-Chief: Tom DeFalco

With this issue the series underwent a temporary increase in the schedule, now having two issues a month for three months. (Just to be confusing it's called "twice a month" and "bi-weekly" in different places even though those terms aren't strictly synonymous. And "bi-weekly" is a term that often confuses - why has the term "fortnight" never taken off in the US?)

This is a middle chapter of an ongoing saga and mainly focused on the battle between the X-Men and the Brood possessed mutants. The battle is fierce and fast with Rogue soon taken over when she absorbs the psyche of Temptress and in turn possesses Psylocke then the two subdue Wolverine who is soon infected with a Brood egg. Meanwhile Havok spends the issue worrying about using his powers at full force on human beings, having no prior experience of the Brood and thus little understanding of what their possession does to their hosts. When he sees the consequences he is horrified.

Being a mainly battle issue there aren't too many developments here and there's only a couple of subplots advanced in this issue. One sees preparations for a giant sermon by an evangelist in the mountains with the reverend privately reflecting positively about mutants and wishing he had the power to heal. The other is a strange dream sequence as Madelyne Pryor fantasises about being able to fly and her life with Cyclops (Scott Summers) as though they were made for each other only to face first the destruction of their home and then the appearance of a strange featureless form who Scott leaves her for. Things get more surreal as Scott takes everything from Madelyne including her hair and features and puts them on the featureless form making her into Jean Grey before departing, leaving Madelyne as an abandoned nothing in some nowhere. It's quite a strange depiction of her feelings about Scott, Jean and herself.

When Marvel increased the frequency of a series to fortnightly in this era it often resulted in multi-part sagas that sometimes ran on for more issues than they were fully warranted. This issue feels somewhat slightly as though it's one of the earliest examples of having too many issues being put out. It's not bad per se but the battle feels extended more than it needs to be and so not much else happens in the main plot. Still the surreal sequence with Madelyne Pryor does a lot to maintain the interest momentum.

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