The X-Factor children go off to boarding school but don't stay for long.
X-Terminators #1
Writer: Louise Simonson
Penciler: Jon Bogdanove
Inkers: Al Williamson & Al Milgrom
Letterer: Joe Rosen
Colorist: John Wellington
Editor: Bob Harras
Editor in Chief: Tom DeFalco
In Limbo the demons S'ym and N'astirh confront each other with S'ym winning the encounter and declaring his plans to rule Limbo and the realm beyond. He orders N'astirh to kidnap thirteen "power-filled babies" to be used in a rite to achieve this. N'astirh and his followers, the N'astiri, arrive on Earth but are limited by their lack of knowledge of the world and so hunt out small humans "with large heads... no hair... and round... innocent... little eyes..." Meanwhile the children under X-Factor's care are leaving in different directions. Rusty Collins voluntarily surrenders to the naval police in the hope the publicity will help discredit the Mutant Registration Act and help the mutant cause. However instead the authorities plan to make an example of him. The other children are taken to two private boarding schools in New Hampshire. Leech and Artie are placed at St Simons for younger children where they encounter Taki, a young orphan boy embittered by the accident that left him in a wheelchair. It soon becomes clear he has the mutant power to rearrange technology as he slowly befriends Artie and Leech. Skids, Rictor and Boom-Boom are placed at Phillips Academy, a prestigious "prep school" (we'd say "public school") with a number of especially obnoxious pupils. But their time at boarding school doesn't last long as one night the N'astiri kidnap Artie and Leech. With X-Factor uncontactable and the Phillips dorm phone answered by an obnoxious pupil who treats it as joke, Taki sets out to find the others, converting his wheelchair into a helicopter and then a plane. First he recruits the three from Phillips and then they fly to the prison and break out Rusty. The still nameless team fly off to rescue Artie and Leech.
"Now begins Inferno" proclaims the cover. This limited series has long been the overlooked part of the event. It began publication months before Inferno took off and was not mentioned on the adverts for the main part of it. Later in 1996 a trade paperback of the core of Inferno was released and did not include it. It's only been in the 21st century that this omission has been rectified with both the core oversized hardcover and the main two trade paperback volumes including with. Was this omission rooted in 1988? Did the plans for the limited series change suddenly? The build-up in X-Factor had concentrated on the kids going away to boarding school and yet this setting is ditched even in the first issue. Was the series instead conceived as a more or less self-contained affair and only late in the day switched to being a builder for the big crossover event?
It's not clear but it's probably for best that we got something other than a series based around heroes with powers at a boarding school. There's a lot of boarding school fiction around with plenty of possibilities and for a superhero series it would make a contrast to have kids with powers at a regular (in so far as a prep/public school is remotely regular) school as opposed to a small self-contained dedicated school (the New Mutants) or a family of children with glimpses of day school (Power Pack). But it would really require the powers to be hidden in secret rather than for the pupils to be public figures. Over the years the mutant analogy has shifted from race to sexuality and a boarding school set-up would really need the characters' powers to stay a secret to work well. But it's also a tricky scenario to write without descending into cliche about the various pupil types. Not everyone at such a school is an obnoxious tosser who thinks themselves superior because their family can afford to send them there (traditionally the worst are new money) but the other pupils we see at Phillips are all of this type and that's a rather restrictive character base. We learn less about St Simons and it's not even clear if it's a regular junior school or a school for children with special needs as the only other pupil we meet is Taki. Also the plot about Rusty voluntarily returning to prison in the hope of bringing down the Mutant Registration Act is rapidly abandoned.
Instead we get the build up for Inferno. The opening scenes are set in Limbo and establish the two main demons for the event. And S'ym looks a lot better than in previous issues. Gone are the waistcoat and the odd comical poses. He still has a cigar but otherwise he looks much tougher and fiercer, vastly improving the character's credibility. It's astonishing that this comes from the same pencil as the more cartoony pupils at Phillips or indeed Jon Bogdanove's general style. There's also a fun scene when N'astirh and the N'astiris arrive on Earth and encounter a parody of William Gaines, the publisher of EC Comics, in a cemetery that includes a grave for Fredric Wertham, the psychiatrist who led the mid 1950s campaign against comics that drove many out of business and led to the constraints of the Comics Code Authority. The Code was revised multiple times over the years and it's hard to imagine a horror story like Inferno would have been allowed in the early years so it's nice to see such a retort.
This first issue has a lot of setting up to do and so most of the existing characters don't get much development at this point. Instead we get the various shifts to get the kids back together and out to rescue Artie and Leech. Although it has a lot to do in setting things up it works to pull everything together by the end of the issue and get things going.
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