Inferno brings out the goblins in more ways than one.
Amazing Spider-Man #312
Writer: David Michelinie
Artist: Todd McFarlane
Letters: Rick Parker
Color: Bob Sharen
Editor: Jim Salicrup
Editor in Chief: Tom DeFalco
Harry's memories of having been the Green Goblin have returned and he once more dons the costume to protect his family. Meanwhile Curt Connors is wondering if he still has the Lizard under control and Mary Jane is modelling as Cleopatra when gold snake jewellery comes to life. Spider-Man comes across the battle between the two goblins.
It's amazing to realise that the Green Goblin hadn't been seen outside of flashbacks for over a decade at this point. Instead an alternative had been created in the form of the Hobgoblin and although the original had twice confronted Harry Osborn over his father's legacy, Harry had got little further than picking up some pumpkin bombs to throw back. But the goblin legacy was always there and it was probably only a matter of time before someone realised what a mess of a character the second Hobgoblin was and looked elsewhere.
However at this point Harry is only concerned with protecting his family, nothing more, and shows no sign of remembering Spider-Man's identity or seeking revenge upon him. He scoffs at the suggestion that New York could use another crime fighter, declaring he has responsibilities as a married man. It's also clear he is utterly unready for this battle. Time and again he thinks how he's no longer insane and how that had given him an advantage in the past until he eventually realises that rationality could be the way out. The Hobgoblin is clearly the superior fighter but constrained by the intervention of Spider-Man and overconfidence to the point he doesn't realise the Green Goblin has outmanoeuvred him for an aerial bombardment. The Hobgoblin also continues to demand something without actually saying what until the end when Harry tells him it was destroyed years ago and "You're an idiot." A narrative caption adds "Sometimes -- the truth hurts!" Although not too blunt it continues the habit of treating the character as a fool and of little danger to a competent experienced foe.
Neither goblin is the original and with Harry having only just got back onto the glider there's a clear limitation to this battle that reduces the impact. But an eventual confrontation between the different heirs to the Goblin legacy had been much expected for several years and it's good to see it finally happen. A rematch when both have had further development is naturally anticipated here.
This is very much the action issue with limited development of subplots beyond showing that the Lizard is returning for a future issue and a surge of demons coming into New York to make things even worse. Presumably this is a deliberate structuring to put the main battle in the series with the future Image artist drawing a lot of splash artwork and leave the more character and plot focused developments to the titles with more traditional artists. As a result the main attraction is the long awaited battle and the art doesn't disappoint.
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