Avengers Annual 17 - The Evolutionary War

The High Evolutionary's genetic bomb is ready to detonate - and the Avengers have disbanded.

(Once again we have an annual with a lot of creators so some of the labels are in a separate post.)

Avengers Annual #17

1st story: Prometheus Mutans!
Writing: Walter Simonson
Penciling: Mark Bright
Inking: Mike & Valerie Gustovich
Lettering Oakley, Heisler, Parker
Coloring: Evelyn Stein
Editing: Mark Gruenwald
Editing in Chief: Tom DeFalco

The Avengers' Hydrobase receives an emergency call from the resurrected Jocasta about the imminent detonation of the High Evolutionary's genetic bomb. But the team has disbanded so the computers summon as many reserve Avengers as it can contact. Thus Captain America, the Falcon, Hercules, the Beast, the Hulk and the second Yellowjacket come to the island to deal with the emergency. First they travel to a base on Long Island where they rescue Jocasta and discover the detail of the Evolutionary's plans. They then head to the Pacific where they find a war breaking out between the undersea kingdoms of Lemuria and Atlantis due to false information supplied by the Evolutionary who sends in a weapon to sterilise the two opposing forces. Finally the three pursue the Evolutionary's submarine base to Krakatoa where the bomb will be detonated in the volcano to spread all over the world. The Avengers battle both the Evolutionary's forces and themselves but the cost is high.

As discussed when looking at Avengers #298 this was a period when the Avengers had disbanded and it would take a little time for a permanent new team to be put together. In the meantime that allowed Walter Simonson to have some fun and bring together a one-off team. Some have wished that this line-up could have become the new Avengers permanently but it's hard to see it working in the long run. For one thing no less than three of the characters were regularly appearing in other series (Captain America and the Incredible Hulk had their own titles whilst the Beast was a part of X-Factor) and if it was difficult enough to co-ordinate the appearances of traditional Avengers such as Captain America it would have been a nightmare to fit in with the continuity of the other books even if one of them was written by the Avengers' writer's spouse. But there's also a strong element of dysfunctionality built into the team. The Hulk is in his "Joe Fixit" era of an amoral mob enforcer who shows reluctance to get involved with saving the world, is no team player and also tries to steal power for himself. Yellowjacket is a criminal drawn in purely because the helmet she stole from the original picked up the summons; she was one of the Masters of Evil who occupied the Avengers Mansion beating up Hercules to an inch of his life and also torturing Captain America (although she herself was not one of the ones who directly did either of those) and both still have strong memories of that. Captain America is on the outs with the US government in this era (with a replacement using the name and costume) which would make it difficult for him to assume a role heading a formally accredited superhero team. Jocasta is highly vulnerable. Only the Falcon could easily stay around in such a line-up at this time.

There's also a question of superhero ethics. The traditions of heroes not killing were under strain by this time and some of the team have no qualms about leaving foes to go to their death or even sending them there. Others less so. But oddly this isn't dwelt on here even though the Hulk charges into the Long Island base and kills all but one of the Gatherers present (though the bodies are not shown on panel). Later the Beast and Captain America willingly implement an idea by the Falcon to set the Gatherers and New Men against each other by playing on the former's prejudices and the result is a lot of killing. Then Hercules battles the High Evolutionary until he is "discorportating". Finally the surviving Avengers flee the submarine as the self-destruct is activated but make no effort to take the surviving Gatherers and New Men with them. Superhero comics were getting ever more darker and just a few years later the regular Avengers series would see the heroes facing the question of whether or not to kill so some of these developments aren't too surprising. But it's odd that there's little acknowledgement here of what the Avengers have been forced to do.

The plot does meander a little and it's hard to escape the feeling that the scenes involving Lemuria and Atlantis were added simply to pad this story out to fill the entire annual (bar six pages for the saga chapter at the end). But it gives lots of good character moments with the Beast especially benefitting as he combines strength, science and humour. Yellowjacket has found herself dragged into all this against her will and is completely scared by the whole situation but comes to the fore first in finding the bomb and then in attacking the Evolutionary long enough to buy time for Hercules. Though unspoken it also gives her a moment of redemption for her past.

There's some dodgy science afoot. The Evolutionary's powers seem incredible here including being able to teleport the Hulk all the way out of the base to the Nevada desert and twice making special cages appear out of nowhere to hold one or more Avengers. The Avengers decide the only way to counter him is to come up with their own super being and so subject Hercules to the genetic accelerator to create their own superbeing. The two fight to destruction with the High Evolutionary blasted into particles and Hercules mutating beyond godhood and out of the plane of existence. For a story rooted around a scientist's grand vision the conclusion has at times felt almost too magical to work. There's also the continued misuse of the term "evolution" when the mutations are done to intelligent design - or intelligent accident as the case may be. Fortunately the ending feels more scientific as a dying Jocasta plugs herself into the submarine's systems and activates the self-destruct mechanism to destroy the genetic bomb before it can be detonated.

This is a harsh brutal showdown to a big event and it feels appropriate that it's a much smaller team who escape at the end compared to the one that arrived. The High Evolutionary's plans may have meandered all over the set of annuals but here the focus is all too clear and the stakes couldn't be higher. The Avengers line-up here is not one that could have lasted but makes for a good team with its own internal problems facing down a major threat to the whole world in the Marvel tradition. Although the story is overlong and could have done with the Lemuria and Atlantis element it nevertheless makes for a strong climax to what has been a rather disappointing crossover.


2nd story: The High Evolutionary: Beyond Life
Story: Mark Gruenwald
Breakdowns: Ron Lim
Finishes: Tony DeZuniga
Letters: M. Yee & J. Rosen
Colors: Gregory Wright
Editor: Ralph Macchio
Chief: Tom DeFalco

The final chapter recounts the High Evolutionary's last appearances before this event. It's a straightforward summary of how Counter-Earth was moved across space by a race of alien beings call the Beyonders and placed in a museum with the whole encounter convincing the Evolutionary that despite being the most evolutionary advanced human in existence he was not a god but merely insignificant. This led to despair as he sought to commit suicide but found himself trapped in his armour that prevented him from using his powers on himself. So he manipulated the Hulk into attacking him to rip open the armour then he devolved himself all the way down to a single celled organism. The final page shows how the armour restored both itself and its occupant, who now regained his confidence and concluded that humanity on its own would never evolve to the level of the aliens he had seen and instead the race as a whole needed a guiding hand which he would give.

This final chapter shows how the character had come back to life after what seemed to be a pretty conclusive death and uses the last stories to provide a convincing explanation as to how the character has expanded the scope of his vision to the scheme seen in the event. It also restores an element of dignity that was lacking in the final Hulk story. As a later chapter recounting ongoing comics rather than stitching together multiple backstories the result is invariably straightforward but it serves to bring readers up to date with the character and provide a springboard for the main event.


Because of the length of the main story there are no other back-ups or features in this annual. Instead the whole thing is devoted to the resolution of the big crossover. Space could have easily been found for features by trimming off the unnecessary part of the main tale but that raises the question of just what would have been contained in the features since there was no regular Avengers team at the time. Also with issue #300 on the horizon it was perhaps better to leave the features for that and instead here have an extended climax to ensure the whole event goes out with a bang.